All tagged interviews

The Creative Spaces of Film Composers and Mix Engineers

I'm basically in love with Spitfire Audio's samples, the textures and colours they have captured over the years have been essential in reaching my audiences and telling the right stories effectively within my film scores. It was during my usual online scout for new samples for my next projects when I stumbled across a series of videos they had published known as Creative Cribsand I wanted to share it with you guys.

Given their outreach with film composers all over the globe, they (Spitfire Audio) have been able to get an inside look at many composers studios and give us a pretty comprehensive tour. I have embedded my three favorites below and hope you guys will take the time to check them out as well as taking a look at the vast collection Spitfire have posted...

Film Composer Junkie XL On Film Scoring, Deadlines, Hans Zimmer & His Studio

Who remembers the opening raining blood scene from the 1998 movie Blade? I certainly do as Blade was an important movie for me as a then youngster at a time when the the big screen was just starting to fascinate me. Until yesterday, I had been totally unaware that the music from that scene was composed by Junkie XL and licensed for the scene; cue his initial interest in becoming a film composer.

Seasoned electronic music producer-turned-film composer Tom Holkenborg aka Junkie XL is being discussed more and more now in the film music world, what with his recent and ongoing collaborations with Hans Zimmer at Remote Control Productions for movies such as Man of Steel and Batman v Superman: Dawn of Justice and of course his amazing solo work on Divergent and 300: Rise of an Empire, but it occurred to me that I had never really taken the time to look into his work.

Yesterday while doing my usual scout, I stumbled across a Collider interview with Tom (below) and found myself immersed in hearing about his start as both an electronic music producer and his transformation into a film composer. I found it humbling to hear that for him, at the time of entering the film score production circuit, his tracks were at number one in several countries and despite this, he took up work as an assistant for the likes of Harry Gregson-Williams to gain a better insigne of just how scores are produced in Hollywood, an amazing level of dedication and respect for an industry he clearly admires…