“Thanks for the session yesterday – it was excellent, I’ll be looking back through the recording yesterday for my own edification. ”

“Michael is a very talented composer. I very much hope that one day he will become a film composer for Hollywood - his talent deserves nothing less!”

“Michael was an absolute pleasure to work alongside and his engineering skills and technical knowledge is astounding. From hearing his online portfolio of composition I am certain he will make a big mark in the music arena and would always be happy to work with him again on other projects!”

“The score was incredible I felt every emotion and every second of the film through your music
It was an incredible journey and as a filmmaker, I learned so much from this”

“Michael is an amazing composer who can adapt his music perfectly to whatever material he is given. His individual talent is very special but he is also able to work within a team extremely well and under pressure. He has a good sense of humor and a kind heart. I would recommend Michael to any professional because if you want the perfect composer Michael is the man for the job. His timekeeping is great his ambition is realistic and above all, he is an amazingly talented honest kind individual that will set standards higher than you were hoping.”

“The finished result is more than I could ever ask for in a film score. It has truly brought the film to life, giving the narrative a deeper atmosphere that would be greatly lacking without it. The style and instrumental arrangements have fulfilled all criteria, bringing classic horror to mind, whilst maintaining originality. From the outset the score accentuates the underlying feeling of dread, whilst drawing on the sadness suggested by the characters’ words and actions, building on tension with the strings and exciting the senses in the percussion, striving into an apocalyptic crescendo. Sound details that added further to the piece, especially that of the “flies”, were a godsend for the “vision” and the “chase” sequences, that seemed bare and crass before the sound contextualized the scenes. As a result, I’d say we have a real ‘creeper’ on our hands, and considering this is a debut film score from the composer is astounding, and I for one would happily employ him again and recommend him to the highest degree.”